![]() ![]() ![]() The power switch at the right surrounds the shutter button and that is threaded in such a way for a totally outdated cable release. Most of the controls are placed or recessed just like X100’s. On the camera’s top view, this is where it mostly resembles a lot like Fuji’s X100. Fujifilm promises for a truly professional still camera and that might be the reason for not including an exclusive button for recording purpose.Īs all of us know it is very much possible through manual setting via drive mode. The common RAW option key is replaced with a Q button to access the on-screen control panel where all the other options rest. On the right side of the screen, there is a noticeable change in the controls. On the left side of the screen, the drive mode control button is placed first and the metering pattern selection and AF area selection control follow. Surrounding dial is not present, to compensate this, a separate single dial is present.Īnd the traditional four-way controller is comparatively bigger and assisted with individual directional keys, the OK button as usual rests in the middle. Ultimately, Fuji’s X-Pro1 is a perfect catch for a professional photography. Some of the control buttons have become larger and been rearranged in a way which is apt for handling. The buttons are bit fussy and do not assimilate with the matte finish body design but the unbeatable finish makes us forget about everything. Redesigning does not receive desirable response, because of the plastic control buttons on the back. To talk about the rear portion of the camera, we come across lots of changes in fact we can say it is at the most redesigned. Analogue ISO dial is missing this time too. There is a noticeable change in the focus selector and seems like a rotatable switch which we notice in Fuji’s X10 series. Lens mounted aperture, manual focus rings, viewfinder mode selection lever at the front and shutter button for a customary cable release are placed exactly where we always look for. To fulfill a professional view of choice, shutter speed on the top and exposure compensation dials are present at the right spot. Overall, it qualifies high in terms of body finish and controls. If we attach any one of the three provided lenses it gets completely fit in the hand. It looks and feels solid and not a heavy one without the X mounted lens. ![]() Even though the classic yet trendy body design suggests that we can be quite sure it has come out with a lot of welcoming advancements. X-Pro1 on the first look might remind us of the previous model X100. Thus, it is professionally well-built and well planned. Our choice is open to choose the perfect view which we are comfortable with. Worthy mentioning is a hybrid multi viewfinder this eases the accessibility of switching over between optical and electronic viewfinder. X-Pro1 can be easily defined as an updated version of X100, but indeed we have plenty of features to be astonished. The newly added 16 megapixel APS-C X-trans CMOS sensor delivers excellent resolution which equals the result of a full frame sensor. It is purely aimed at people who expect professionally and potentially high. Fujifilm X-Pro has become a trend-setter which has arrived with new X lens mount and this enables the usage of Fuji’s all X range compact lenses. The views and choices of customers are carefully fulfilled whenever there is a new launch take place. Of course it is very much possible for a company who constantly listen to the customers’ voice on all aspect. Fujifilm is recognised as the world’s largest photographic company.
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